Belizean-Cuban writer Suzy Exposito made history as the first Latina to write a Rolling Stone cover story and pioneered the magazine’s U.S. Latin vertical. From her Miami upbringing to her impact on pop culture, she’s become one of the most trusted voices in Latin music journalism today.
Before there was global crossover, before record-breaking streams, and before reggaetón was sanitized for radio, there was Ivy Queen—a fearless, sharp-tongued, unapologetically feminist powerhouse from Añasco, Puerto Rico, who refused to be silenced…
Latinos are rethinking the harmful label “criminal” amid inhumane ICE raids and systemic injustice. This powerful perspective challenges the prison industrial complex and calls for unconditional human dignity beyond legal status or past mistakes. Discover why redefining criminality is key to immigrant justice and community solidarity.
the self-proclaimed “Reina de la Popola” Tokischa Altagracia Peralta—known simply as Tokischa—emerged as one of the most unapologetically original voices in Latin music. With a stage name that rolls off the tongue like a war…
Dos Flakos, the Dominican DJ duo from the Bronx, are reshaping NYC nightlife with their groundbreaking “Global Dance” sound—a vibrant fusion of Caribbean rhythms, reggaetón, house, and amapiano. As creators of the iconic MUNDO collective and their secret “bodega raves,” they’ve transformed everyday Bronx spaces into inclusive cultural hubs that celebrate diversity and community. Their music and events highlight the Bronx’s rich heritage while pushing it onto the global stage, making Dos Flakos essential voices in today’s Afro-Latinx and dance music scenes.
Planta Industrial’s “Teteo in The Bronx” blends post-punk, reggaetón, and Afro-Caribbean rhythms to deliver a bold anthem celebrating Afro-Dominican roots and Bronx culture. This groundbreaking track showcases the duo’s unique sound and powerful storytelling, positioning them as leading voices in the Afro-Latinx music scene. Perfect for fans seeking fresh, authentic Latinx music that breaks genre boundaries.
Can you copyright a rhythm? The landmark Steely & Clevie lawsuit challenges the music industry by claiming reggaetón’s signature dem bow riddim was used without permission for over 30 years. This deep dive explores how U.S. copyright law treats rhythms, the legal complexities around originality, and what this case means for Black Caribbean creators and the future of beatmaking.
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We Might Be Few, Pero We Been Loud. Panameñas been movin’ culture desde el día uno—it’s just now the world’s tuning in. From Tatyana Ali lighting up our childhood screens to DJ Bembona curating the soundtrack of the diaspora, these Afro-Latina queens got legacy in their blood and receipts to match. Lourdes Gonzalez keeps it real through comedy, Iris Beilin shows up flawless con sazón y conciencia, and La Gata? She’s schooling the game with every reggaetón breakdown. They ain’t asking for permission—just taking up the space they already earned. The talento speaks loud. And Panamá? Más orgullosa que nunca.
If you’re headed to Puerto Rico pa’ Bad Bunny’s residency, no te quedes solo en el show—explore Old San Juan, hit up spots like La Placita y José Enrique pa’ la mejor comida boricua, and support los artisans de la isla. Take mad pics pero always con respeto, move eco-friendly, and soak up la vibra real de la isla. Debi tirar más fotos, pero más importante, vive la isla con corazón y pa’ la gente. ¡Eso es!
