“Planta Industrial Punk Wave Sin Barreras Vol. 1” enters the scene with the kind of ambition expected from a debut meant to define a movement. As the first installment in what aims…
“Planta Industrial Punk Wave Sin Barreras Vol. 1” enters the scene with the kind of ambition expected from a debut meant to define a movement. As the first installment in what aims…
Any Lucia Lopez Belloza, a 19-year-old Babson College freshman, was deported from Boston Logan Airport despite a federal judge’s order blocking her removal. Her case has sparked national outrage as advocates highlight due-process violations, the targeting of long-term immigrant students, and rising concerns over U.S. immigration enforcement. Learn what happened, why her deportation is drawing scrutiny, and how it reflects a growing pattern affecting immigrant youth and college communities.
Romeo Santos and Prince Royce have announced their first-ever joint album, Better Late Than Never, marking a historic moment for bachata. With their contrasting styles — Romeo’s traditional, Aventura-rooted sound and Royce’s more pop-forward approach — the collaboration raises fascinating questions about direction, marketing, and global appeal, especially with its English-language title. Fans are eager for the release, but only its debut will reveal how the album performs sonically, commercially, and culturally.
Rauw Alejandro’s El Choliseo residency in Puerto Rico delivers a genre-defying spectacle, blending nostalgic 1950s salsa vibes with edgy, apocalyptic visuals. Highlights include his live performance of Caribeño with Dominican Bronx artist Saso Worldwide and tracks from his latest album that fuse reggaeton, electro-house, bomba plena, and dembow, making this residency a must-see for Latin music fans.
La Esclava Blanca ventures into the rarely depicted history of slavery in Latin America, but its title and narrative framing immediately raise concerns. Centering a white protagonist and relying on the “white savior” trope, the telenovela obscures the lived experiences of Afro-Latinos, even as it highlights the ongoing need for racial equity and historical acknowledgment across the region.
Bad Bunny dominated the 2025 Latin Grammys with five major wins, including his first-ever Album of the Year award for DeBÍ TiRAR MáS FOToS. Discover how his culturally rich project reshaped the landscape of Latin urban music and marked a historic moment for Puerto Rican representation on the global stage.
A coalition of immigrant-rights activists organized under Mijente has launched the “Apaga El Odio” campaign, calling on Spanish-language networks Univision and Telemundo to stop airing anti-immigrant advertisements produced by ICE and the Department of Homeland Security. The campaign asserts that the ads spread fear and propaganda within Latino and immigrant communities that have long relied on these networks for news and entertainment.
According to the campaign, some of the ads feature DHS Secretary Kristi Noem warning undocumented immigrants that “we will find you and deport you” if they do not leave the country. Activists argue that such messaging violates the public trust that Spanish-language media have built over decades. “Univision and Telemundo are collaborating with ICE and the DHS,” the campaign petition states. “These ads are a betrayal to the Latino and immigrant communities who have supported these networks for decades.”
The campaign comes at a time of heightened concern among immigrant communities, as government enforcement and deportation efforts increase. Many viewers depend on Univision and Telemundo not only for entertainment but also for news and cultural connection. The activists say airing these ads contributes to a climate of fear, particularly for mixed-status families and undocumented immigrants who may feel targeted simply for watching these networks.
Since its launch, the “Apaga El Odio” campaign has gathered several thousand signatures, with supporters amplifying its message on social media using the hashtag #ApagaElOdio. Cultural figures, including cartoonist Lalo Alcaraz, have contributed artwork and social-media posts criticizing the networks’ decision to air the ads, drawing widespread engagement and highlighting the campaign’s resonance within Latino activism circles.
Univision, operated under TelevisaUnivision, and Telemundo have responded by stating that the ads comply with standard advertising guidelines and that their news divisions remain editorially independent from advertising commitments. However, activists argue that the networks’ decision undermines trust within Latino households and amounts to participation in a government strategy that uses fear and propaganda to pressure immigrant communities.
Mijente’s political director described the ads as part of a broader effort to encourage self-deportation among immigrants. The campaign petition concludes with a strong message: “Our dignity and safety are non-negotiable.”
Desde Costa Rica, Kenia ha irrumpido en el mundo del Reggaetón y el entretenimiento adulto como un huracán, viviendo la vida exactamente a su manera. Como madre, combina la crianza con una…
El Reggaetón Mexa ha surgido como la nueva ola de música urbana en México, fusionando ritmos tradicionales del reggaetón con la identidad, jerga y cultura mexicanas. Artistas como Abee La Sensación, El Malilla, Cachirula y Loojan, Bellakath y Yeri Mua lideran esta escena que, en apenas cinco años, ha consolidado su propio sonido y estilo dentro de la historia global del reggaetón. Descubre sus raíces, evolución y cómo México está transformando el género.
Chicago’s Lester Rey reinvents Boogaloo, blending salsa, soul, and house with queer and Latinx voices to create a vibrant sound rooted in heritage.