Villano Antillano: Puerto Rico’s trans‑femme rap trailblazer, shattering Latin music’s macho norms with bold anti‑machismo lyrics, queer visibility, and global hits that redefine el movimiento.
Thalia Made A Dominican Styled Dembow ‘Esa Calor Me Toca’ And We Kindly Say “No Gracias”
When Latin pop star Thalía decided to dip her toes into dembow with a track that sounds suspiciously like Yailin La Más Viral’s “Bing Bong,” it felt less like cultural appreciation and more like trend-chasing. Coming from a polished corner of the Latin industry that’s historically dismissed “El Movimiento” as too raw or unsophisticated, Thalía’s sudden pivot into Dominican street sounds — a culture she’s never been part of — lands awkwardly at best. The result? A song that mimics the swagger without carrying any of its heart. No gracias.
Sanky Panky: The Dominican Comedy That Turns “Mangando una Visa” into Laugh-Out-Loud Cinema
“Sanky Panky” is a Dominican cult comedy that hilariously explores immigration, tourism, and diaspora identity through sharp satire and unforgettable Caribbean storytelling.
Suzy Exposito: The Deadpan Latina Redefining Latin Music Journalism
Belizean-Cuban writer Suzy Exposito made history as the first Latina to write a Rolling Stone cover story and pioneered the magazine’s U.S. Latin vertical. From her Miami upbringing to her impact on pop culture, she’s become one of the most trusted voices in Latin music journalism today.
Why Ivy Queen, Is The Queen of Reggaeton
Before there was global crossover, before record-breaking streams, and before reggaetón was sanitized for radio, there was Ivy Queen—a fearless, sharp-tongued, unapologetically feminist powerhouse from Añasco, Puerto Rico, who refused to be silenced…
Why Latinos Must Rethink the Word “Criminal” to Challenge ICE Raids and the Prison Industrial Complex
Latinos are rethinking the harmful label “criminal” amid inhumane ICE raids and systemic injustice. This powerful perspective challenges the prison industrial complex and calls for unconditional human dignity beyond legal status or past mistakes. Discover why redefining criminality is key to immigrant justice and community solidarity.
Reina de la Popola: How Tokischa Is Redefining Latin Music With Raw Power and Reinvention
the self-proclaimed “Reina de la Popola” Tokischa Altagracia Peralta—known simply as Tokischa—emerged as one of the most unapologetically original voices in Latin music. With a stage name that rolls off the tongue like a war…
Dos Flakos: The Dominican DJ Duo Spinning Identity, Bronx, & Diaspora Into Every Set
Dos Flakos, the Dominican DJ duo from the Bronx, are reshaping NYC nightlife with their groundbreaking “Global Dance” sound—a vibrant fusion of Caribbean rhythms, reggaetón, house, and amapiano. As creators of the iconic MUNDO collective and their secret “bodega raves,” they’ve transformed everyday Bronx spaces into inclusive cultural hubs that celebrate diversity and community. Their music and events highlight the Bronx’s rich heritage while pushing it onto the global stage, making Dos Flakos essential voices in today’s Afro-Latinx and dance music scenes.
Planta Industrial’s “Teteo in The Bronx”: Redefining Afro-Latinx Sound and Identity from the Borough to the World
Planta Industrial’s “Teteo in The Bronx” blends post-punk, reggaetón, and Afro-Caribbean rhythms to deliver a bold anthem celebrating Afro-Dominican roots and Bronx culture. This groundbreaking track showcases the duo’s unique sound and powerful storytelling, positioning them as leading voices in the Afro-Latinx music scene. Perfect for fans seeking fresh, authentic Latinx music that breaks genre boundaries.
Time Is Up: Steely & Clevie Sue Reggaetón Over Dem Bow Riddim Infringement
Can you copyright a rhythm? The landmark Steely & Clevie lawsuit challenges the music industry by claiming reggaetón’s signature dem bow riddim was used without permission for over 30 years. This deep dive explores how U.S. copyright law treats rhythms, the legal complexities around originality, and what this case means for Black Caribbean creators and the future of beatmaking.