La Fiera Típica, un joven acordeonista abiertamente gay de la República Dominicana, está transformando el merengue típico con talento, carisma y una presencia que rompe barreras en la música tradicional del país.
La Fiera Típica, un joven acordeonista abiertamente gay de la República Dominicana, está transformando el merengue típico con talento, carisma y una presencia que rompe barreras en la música tradicional del país.
Brooklyn rapper J.I the Prince drops “Cherry Red 150,” a powerful tribute to Big Pun that dives deep into fame, betrayal, and survival. The emotional track marks a new chapter in J.I’s evolution.
Dana Lu has turned her upbringing in New York City into a rich sonic foundation that now powers her identity as both producer and DJ. Through her Chalet 7 platform, she’s created opportunities where few existed. Her latest EP’s half‑million‑stream milestone (as reported) confirms her steady rise—and marks her as a bold, culturally expressive force in house and global dance music.
Afro-Colombian artist Goyo makes a powerful solo debut with Pantera, a genre-blending album that fuses Afrobeats, hip-hop, reggaetón, and Pacific Colombian rhythms. After rising to fame with ChocQuibTown, Goyo steps into her own spotlight, collaborating with artists like Greeicy, Afro B, and Pras, and producers such as !llmind and Slow Mike. Through bold lyrics and vulnerable storytelling, Pantera celebrates Black identity, womanhood, and Afro-Latina resistance, solidifying Goyo’s legacy as a groundbreaking force in Latin music.
Villano Antillano: Puerto Rico’s trans‑femme rap trailblazer, shattering Latin music’s macho norms with bold anti‑machismo lyrics, queer visibility, and global hits that redefine el movimiento.
When Latin pop star Thalía decided to dip her toes into dembow with a track that sounds suspiciously like Yailin La Más Viral’s “Bing Bong,” it felt less like cultural appreciation and more like trend-chasing. Coming from a polished corner of the Latin industry that’s historically dismissed “El Movimiento” as too raw or unsophisticated, Thalía’s sudden pivot into Dominican street sounds — a culture she’s never been part of — lands awkwardly at best. The result? A song that mimics the swagger without carrying any of its heart. No gracias.
Belizean-Cuban writer Suzy Exposito made history as the first Latina to write a Rolling Stone cover story and pioneered the magazine’s U.S. Latin vertical. From her Miami upbringing to her impact on pop culture, she’s become one of the most trusted voices in Latin music journalism today.
the self-proclaimed “Reina de la Popola” Tokischa Altagracia Peralta—known simply as Tokischa—emerged as one of the most unapologetically original voices in Latin music. With a stage name that rolls off the tongue like a war…
Dos Flakos, the Dominican DJ duo from the Bronx, are reshaping NYC nightlife with their groundbreaking “Global Dance” sound—a vibrant fusion of Caribbean rhythms, reggaetón, house, and amapiano. As creators of the iconic MUNDO collective and their secret “bodega raves,” they’ve transformed everyday Bronx spaces into inclusive cultural hubs that celebrate diversity and community. Their music and events highlight the Bronx’s rich heritage while pushing it onto the global stage, making Dos Flakos essential voices in today’s Afro-Latinx and dance music scenes.
Planta Industrial’s “Teteo in The Bronx” blends post-punk, reggaetón, and Afro-Caribbean rhythms to deliver a bold anthem celebrating Afro-Dominican roots and Bronx culture. This groundbreaking track showcases the duo’s unique sound and powerful storytelling, positioning them as leading voices in the Afro-Latinx music scene. Perfect for fans seeking fresh, authentic Latinx music that breaks genre boundaries.