A viral video captures Kevin Hart getting a crash course in Spanish from reggaeton icon Nicky Jam, creating a hilarious and heartfelt moment of cultural exchange that highlights Hart’s appreciation for Latino culture and Nicky Jam’s natural charisma.
The Black Music History Library, created by journalist Jenzia Burgos, is a powerful digital archive spotlighting the global influence of Black music. This review explores how the project reclaims history, amplifies overlooked voices, and redefines how we engage with music across the diaspora.
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One Day at a Time is a thoughtful and refreshing take on Latinx family life, blending humor, heart, and real-world issues. While the show offers meaningful representation and important conversations, it reflects a common trend in Hollywood where Latinidad is portrayed through a limited lens—missing an opportunity to fully reflect the diversity of the community.
Ozuna’s debut album Odisea transformed reggaetón by blending romantic lyrics, trap beats, and emotional depth. With hits like “Se Preparó” and “El Farsante,” it set a new standard for urbano music and marked the rise of a global Latin superstar.
When Telemundo spoke to Afro-Latina actress Gina Torres in English at the 2019 Emmys—despite addressing all other Latino celebrities in Spanish—it exposed the lingering anti-Blackness within Latino media. This incident is a reminder that Afro-Latino identity deserves full visibility, recognition, and respect.
Black women have been central to reggaetón’s history, shaping its sound and culture from the early Reggae en Español era with Rude Girl La Atrevida, through Glory and La Sista, to modern stars like Tokischa, Lesley, and Anmily Brown. Despite systemic barriers, their artistry continues to define and inspire Latin urban music.
Neoperreo marks a bold new chapter in Latin urban music, blending traditional reggaetón beats with futuristic sounds and DIY spirit. Led by Chilean artist Tomasa del Real and co-signed by reggaetón pioneer DJ Blass, this movement is pushing the genre’s boundaries while honoring its rebellious, body-celebrating roots.
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Dominican TV host Geisha Montes de Oca sparked outrage after performing in blackface to mock Afro-Dominican artist Amara La Negra, exposing the deep-rooted anti-Blackness still prevalent in Latin American media. What was framed as comedy quickly revealed itself as modern-day minstrelsy, reminding viewers that Afro-Latinas like Amara aren’t just fighting for fame—they’re fighting to be seen with dignity.
