In Colombiana, Zoë Saldaña shines as Cataleya, a fierce assassin on a mission of revenge, making it one of the most gripping action thrillers of the 2010s. Her powerful performance, alongside standout roles by Amandla Stenberg and a dynamic supporting cast, proves that Afro-Latina leads belong at the center of high-stakes cinema.
The Black Music History Library, created by journalist Jenzia Burgos, is a powerful digital archive spotlighting the global influence of Black music. This review explores how the project reclaims history, amplifies overlooked voices, and redefines how we engage with music across the diaspora.
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One Day at a Time is a thoughtful and refreshing take on Latinx family life, blending humor, heart, and real-world issues. While the show offers meaningful representation and important conversations, it reflects a common trend in Hollywood where Latinidad is portrayed through a limited lens—missing an opportunity to fully reflect the diversity of the community.
Ozuna’s debut album Odisea transformed reggaetón by blending romantic lyrics, trap beats, and emotional depth. With hits like “Se Preparó” and “El Farsante,” it set a new standard for urbano music and marked the rise of a global Latin superstar.
When Telemundo spoke to Afro-Latina actress Gina Torres in English at the 2019 Emmys—despite addressing all other Latino celebrities in Spanish—it exposed the lingering anti-Blackness within Latino media. This incident is a reminder that Afro-Latino identity deserves full visibility, recognition, and respect.
Sech’s debut album Sueños marked a turning point in reggaetón, blending heartfelt lyrics with smooth vocals and Afro-Caribbean rhythms. With hits like “Otro Trago,” the Panamanian artist redefined Latin romanticism and established himself as a powerful new voice in urbano music.
Neoperreo marks a bold new chapter in Latin urban music, blending traditional reggaetón beats with futuristic sounds and DIY spirit. Led by Chilean artist Tomasa del Real and co-signed by reggaetón pioneer DJ Blass, this movement is pushing the genre’s boundaries while honoring its rebellious, body-celebrating roots.
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Dominican TV host Geisha Montes de Oca sparked outrage after performing in blackface to mock Afro-Dominican artist Amara La Negra, exposing the deep-rooted anti-Blackness still prevalent in Latin American media. What was framed as comedy quickly revealed itself as modern-day minstrelsy, reminding viewers that Afro-Latinas like Amara aren’t just fighting for fame—they’re fighting to be seen with dignity.
